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In the late 1800s, a bunch of Boston ‘s more influential architects, designers , and educators was determined to deliver the design reforms begun in Britain by William Morris to America. Its first assembly, to organize an exhibition of latest craft objects, was held in January 1897 at the Museum of Fine Arts, Boston (MFA). Present at this meeting had been native museum trustees, including General Charles Loring, William Sturgis Bigelow , and Denman Ross ; art collectors and patrons; writers and artwork critics, reminiscent of Sylvester Baxter for the Boston Evening Transcript ; and artists and architects, corresponding to Ross Turner and Ralph Clipson Sturgis.
After their success with plywood furniture, they experimented with fashionable materials like plastic, fiberglass and aluminum. In the end, Charles said his favorites have been their unique plywood chairs. They also experimented, incorporating leather and cloth upholstery in their furnishings—the modern material designs had been contributions created by Ray.
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Following the lead of Stickley, many other magazines, plan books and catalogs sprang up with plans and presents for Craftsman-like houses and furnishings. The word Craftsman was soon used generally to explain any house that expressed Arts and Crafts type beliefs through its structure, design, furnishings and decorative arts, especially within the widespread and reasonably priced center-class bungalow.